LE GUIDE DES GARANTIES DU COLLECTIONNEUR
Le Journal des Antiquaires et Galeries
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Conferences and training
Round Table - December 16: Will AI Be at the Heart of Tomorrow’s Museums and Galleries?
The Syndicat des Négociants en Art (SNA) and the Guimet – musée national des arts asiatiques presents an exceptional round table exploring the role of Artificial Intelligence in the art professions, on Tuesday, December 16, 2025, at 18:45 PM.
While AI is already known in the art world, its real implications remain largely unexplored. This discussion aims to open the debate:
Is AI merely a tool for analysis, or a true partner in reflection?
Can it enrich human expertise, or redefine professional practices?
PROGRAM & SPEAKERS
MODERATION
Jérôme Colombain, journalist and podcaster, specialist in digital transformation.
Opening: AI in Museums and the Art Market
Christophe Hioco (SNA) & Christopher Kermorvant (Teklia)
→ heritage digitization, image recognition, detection of spoliations, interoperability of databases.
TRAINING TOMORROW’S PROFESSIONALS
Olivier Babeau – Institut Sapiens, essayist
→ adapting education and skills to the rise of AI.
HERITAGE & AI: THE GUIMET MUSEUM CASE STUDY
Édouard de Saint-Ours - Curator of Photographic Collections, Guimet Museum
→ the HikarIA program: AI supporting the analysis and preservation of Japanese photographic collections.
ART MARKET & DATA SCIENCE
Sophie Perceval – Wondeur AI
→ mapping artistic value using models based on millions of data points.
NEW CULTURAL MEDIATION
Valentin Schmite – Ask Mona
→ conversational AI and personalized museum experiences.
The evening will conclude with a cocktail reception in the Khmer courtyard of the Guimet Museum—an exclusive opportunity to connect with speakers and industry professionals.
► Access all event videos.
Program of the trainings - november 2025
Dear colleagues,
Aware of the challenges our profession is facing, the SNA continues to offer training programs focused on the legal, fiscal, and administrative aspects of the art dealing profession, in order to support and promote its members.
These sessions provide a valuable opportunity to deepen your knowledge, anticipate legal and fiscal developments, and engage directly with experts on key issues shaping the market.
Connection links will be sent to you the day before each session.
We look forward to your participation.
Warm regards,
Christophe Hioco
Chair of the Legal and Tax Commission
PUBLIC TALK: What Is a (Contemporary) Masterpiece?
As part of our partnership with Beaux-Arts Magazine, we’ll be hosting a monthly series of cultural talks from June to December 2025, exploring major topics in art history.
Each session will feature a guest expert alongside a member of the SNA, offering diverse perspectives and highlighting the richness of the professions and artworks we represent.
After reviewing what the notion of “masterpiece” encompasses in the history of Western art, we will examine how this concept has evolved since the early 20th century, marked by the emergence of unprecedented artistic forms.
From the Ready-Made to installation art, from conceptual art to performance, what are today’s contemporary masterpieces, and how can we recognize them? Are masterpieces eternal?
Duration: 1 hour with a Q&A session
Language: French
Where & When: Online on Zoom, December 11 at 6:30 p.m.
© Sotheby’s – detail of : Banksy, Girl With Balloon, 2006
Past Talks:
During this lecture, we will analyze two iconic masterpieces of French photography: La Gare Saint-Lazare by Henri Cartier-Bresson and Le Baiser de l’Hôtel de Ville by Robert Doisneau.
These two photographs illustrate the distinct approaches of these two great photographers—friends in life, yet almost opposite in their artistic visions: Cartier-Bresson’s concept of the decisive moment, capturing the grace of a fleeting instant within an urban setting, versus Doisneau’s so-called humanist photography, characterized by the poetic and tender staging of love in the heart of Paris—a symbol of an idealized era.
Through its role in the early 20th-century artistic avant-garde, the African mask was long seen by Western audiences as a gateway to understanding African cultures.
Yet the mask’s status and function across the continent’s many cultures reveal just how deep the cultural misunderstanding runs. From Dogon mourning masks to Fang reliquary guardians, Kwele ekuk masks, and helmet masks, it is the remarkable diversity of indigenous traditions that truly stands out to outside observers.
This talk will begin by exploring the different types and roles of masks, before delving into the idea of primitivism, and finally turning to contemporary creations — both by African artists and by members of the African diaspora.
The major collections of Egyptian antiquities held in Turin, London, Paris, and Berlin were born in the 19th century out of the passion of amateur collectors such as Drovetti, Salt, and Champollion. Their discoveries, rivalries, and acquisitions laid the foundations for Europe’s great Egyptology museums.
Beyond these major institutions, this movement also extended to smaller cities — as seen in Roanne, with Joseph Déchelette.
Blending fascination, science, and diplomacy, this talk explores the lesser-known story of these early pioneers and questions the legacy they left in today’s museums.
Colorful, refined, and sometimes bold, Japanese woodblock prints have captivated generations of art lovers — both in Japan and the West.
This talk offers an immersive journey into the world of Ukiyo-e, or “pictures of the floating world,” a genre that flourished during Japan’s Edo period (1603–1868).
We’ll explore the main themes of these prints: kabuki theater scenes, elegant courtesans, poetic landscapes, legendary tales, and everyday urban life. Mass-produced through the technique of woodblock printing, these images reflect the tastes of a refined and curious urban society.
Masterpieces by artists like Hokusai, Hiroshige, Utamaro, and Sharaku reveal the delicate balance between strict visual codes and bold graphic innovation. The talk will also highlight the major influence of Japanese prints on Western artists at the turn of the 20th century — from Monet to Van Gogh — in what became known as Japonisme.
Blending aesthetics, storytelling, and modernity, this lecture showcases the enduring richness of an art form that continues to inspire artists, historians, and collectors around the world!
News
Le N°10 du Journal des Antiquaires et Galeries est paru le 3 avril
10/04/2026
FACE AUX TEMPÊTES, L’UNION
Mes origines sont bretonnes, j’aime la mer et on m’a appris très jeune la chose suivante : quand son bateau affronte une tempête, on s’agrippe à la barre ou on l’abandonne en sautant par-dessus bord.
Ce bateau sur une mer déchaînée, c’est la situation que connaissent aujourd’hui les professionnels du marché de l’art et, en particulier, les galeries. Comme le montre l’étude annuelle de référence réalisée par UBS et Art Basel pour 2025, elles doivent faire face à de forts vents contraires. Elles sont chahutées par les crises géopolitiques, économiques et presque sociologiques, avec un renouvellement important et difficile à appréhender des profils des collectionneurs.
La force et la cohésion d’un équipage permettent d’affronter les tempêtes, telle est la conception de notre syndicat.
Nous nous sommes levés pour défendre les intérêts de la profession lorsqu’est apparue la menace d’une fiscalité injuste sur la taxation des œuvres d’art en début d’année. Dans les moments où la crise est plus silencieuse, mais pas moins dangereuse, nous restons en état de constante vigilance et disponibles pour accompagner nos adhérents. Mais pas seulement, car il s’agit aussi pour notre syndicat d’exercer une forme de solidarité active en soutenant des initiatives qui n’émanent pas de nous, mais qui œuvrent pour le bien général de la profession et à l’indispensable rayonnement de la culture. C’est ainsi que le SNA s’est fortement impliqué dans le lancement de FAM’Art, la nouvelle Fédération des Acteurs du Marché de l’Art, lancée en janvier 2026, à la Chambre de commerce de Paris.
C’est aussi dans ce même mouvement « supra-syndical » que nous soutenons également le Paris Gallery Weekend : 3 jours festifs pour découvrir 73 galeries et 200 artistes, du 29 au 31 mai.
Nous pensons que la solidarité est une force comme un devoir moral, à un moment où nos secteurs sont à la fois résilients et innovants, et fragiles et menacés. Nous avons tous à y gagner et nous garderons le cap sur cette mer agitée.
ART PARIS 2026
02/04/2026
Art Paris will take place from April 9 to 12, 2026 at the Grand Palais, with a new edition dedicated to modern and contemporary art.
Eleven SNA member galleries will be participating, presenting a selection of works that highlights the richness and diversity of their artistic positions.
A key event in the Paris art calendar, Art Paris brings together collectors, art professionals and art lovers, fostering dialogue and new discoveries.
A&R FLEURY / AD GALERIE
GALERIE BERÈS / GALERIE CAPAZZA
GALERIE DUTKO / ALMINE RECH
GALERIE TRAITS NOIRS / GALERIE NAJUMA
OPERA GALLERY / GALERIE BOQUET
GALERIE PATRICE TRIGANO
SALON DESSIN 2026
18/03/2026
From March 25 to 30, 2026, the Salon du Dessin will take place at the Palais Brongniart in Paris.
Eight members of the Syndicat des Négociants en Art will take part and present a selection of works.
Founded in 1991, the Salon du Dessin is now an international reference entirely dedicated to drawing. Each year, it brings together a selection of specialized galleries and attracts collectors, curators and enthusiasts, from Old Master drawings to contemporary works.
We invite you to discover the works presented by our members.
DIDIER AARON - STAND 27 / GALERIE BERÈS - STAND 16
GALERIE JEAN-FRANÇOIS CAZEAU - STAND 33 / GALERIE MICHEL DESCOURS - STAND 26
GALERIE MOTTE MASSELINK - STAND 2 / GALERIE ALEXIS PENTCHEFF - STAND 34
GALERIE PAUL PROUTÉ - STAND 17 / GALERIE TRAITS NOIRS & CO - STAND 12